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Thursday, 3 March 2011

The Long, Tall and the Short of ......

Stories....








When I began this painting,

                                                                   the canvas was blank, I had no idea what I was beginning.....



 I picked up paint and palette, introduced a couple of shades that seemed to suggest themselves to me....

I used bold strokes with a medium brush, changing the direction and introducing colour and depth with each application.

For a while I was pleased with it, but it kept drawing my attention and while I looked at it I'd imagine something else.

Eventually I put the canvas back on my easel and started to paint what was on my mind whenever I looked at it.

At the time I was researching - etymology of ancient stories, considering population movement and the obvious correlation with language development and skill.


I was also thinking about where I might keep it, which room in my house etc....

I introduced a background of forestry, I love autumnal woodlands



Next I decided I wanted it to be divided into a few sections, and scarred the centre, which the bough bridges

I wanted to see if I could bend rules and apply them



 Of course the subjects that fascinate me have also intrigued artists before me....

Dali wasn't the first to make us consider subconscious inclusion and/or suggestion (by inference/direction)


Lawyers may have